Shorter Cycling Route from Rockland St Mary

St Peter’s Church sits peacefully amongst the fields, at the end of a grassy path. It serves a parish of fifteen dwellings. Its true character shines through the 19th century restorations which saw the replacement of most of the windows. The outline of a 12th century Norman lancet window is visible near the south porch and a 13th century Early English lancet remains in use on the north side. The date 1672 is picked out in black flints at the top of the east face of the tower. Nave and chancel merge into one in ‘single hall’ construction. The delightful organ is hand-pumped and adorned with angel musicians. In the chancel the Easter Sepulchre, where the Easter Eucharist was kept from Good Friday to Easter Day, displays post-Reformation texts from the Gospel of John. Some of the original 15th century work has been incorporated into the rood screen. The roll of rectors on a board near the vestry begins in 1280, with 50 named having been added since then. Above the west window is the Royal coat of arms of Queen Victoria. Clear glass throughout the church creates a bright atmosphere, with the exception of stained glass in the east window depicting the crossed keys of St Peter.

St Mary’s Church has a 15th century tower but what remains of the original church is much older. There is an impressive Norman arch over the south door featuring no less than seven different carved patterns and a small mass dial, and a Norman slit window on the north side of the nave. The Victorians carried out a thorough restoration of the church and installed new windows. The church has a lovely atmosphere, with a continuation of the nave into the chancel. Of interest is the holy water stoup, the poor man’s box and the beautiful 17th century communion rails. There is also a stained glass copy of the ‘Light of the World’ by Holman Hunt. Don’t miss the charming gravestones of George and Ann Basey who are shown surrounded by their Norfolk turkeys and geese.

At first sight, St John the Baptist’s Church is a simple rural church, but the stonework of the 13th century porch with its three canopied niches shows clear signs of past splendour, as do the notable decorated windows, the fine Norman doorway with six separate patterns, and the evocative little stone heads that peer out from the carved stone arches. The Norman round tower has a later parapet and belfry openings. Inside there is a delicately carved Decorated chancel arch with leaf motifs on the capitals and corbel heads on the hood mould. This church is in the care of the Churches Conservation Trust.

St Mary’s Church retains its 14th century door, with original handle and ironwork. Three bells dated from 1599 hang in the tower. The octagonal font dates from the 15th century and has been completely re-cut with angels bearing shields and cheerfully painted figures of saints. Above the substantial entrance door hangs a hatchment to Mary Hotblack, the black background indicating that she was unmarried or a widow. Nearby north windows have stained glass, which may be foreign, depicting two female heads, believed to be Martha and Mary. The roundels were salvaged from broken glass following the nearby explosion of a V2 rocket in WWII. The stained glass window depicts St George and the east window is dedicated to Mary, in commemoration of those who died in WWII. The church lost its thatched roof in 1892 when the porch was built and the pews installed and much other work was undertaken to give the church, like many others, a distinct Victorian influence. About four metres to the east of the chancel are the remaining flint fragments of St Margaret’s church. We have little idea what this building looked like as it has been a ruin for about 300 years.